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Modal selbri |
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The following cmavo are discussed in this section:
pe GOI restrictive relative phrase
ne GOI incidental relative phrase
mau BAI zmadu modal
me'a BAI mleca modal
Relative phrases and clauses are explained in much more detail in Chapter 8. However, there is a construction which combines a modal with a relative phrase which is relevant to this chapter. Consider the following examples of relative clauses:
10.1) la .apasionatas. poi se cusku la .artr. rubnstain.
cu se nelci mi
The Appassionata which is-expressed-by Artur Rubenstein
is-liked-by me.
10.2) la .apasionatas. noi se finti la betovn.
cu se nelci mi
The Appassionata, which is-created-by Beethoven,
is-liked-by me.
In Example 10.1, ``la .apasionatas.''
refers to a particular performance of the sonata, namely the
one performed by Rubenstein. Therefore, the relative clause
``poi se cusku'' uses the cmavo ``poi'' (of selma'o NOI) to
restrict the meaning of ``la .apasionatas'' to the performance
in question.
In Example 10.2, however, ``la .apasionatas.'' refers to the sonata as a whole, and the information that it was composed by Beethoven is merely incidental. The cmavo ``noi'' (also of selma'o NOI) expresses the incidental nature of this relationship.
The cmavo ``pe'' and ``ne'' (of selma'o GOI) are roughly equivalent to ``poi'' and ``noi'' respectively, but are followed by sumti rather than full bridi. We can abbreviate Example 10.1 and Example 10.2 to:
10.3) la .apasionatas pe la .artr. rubnstain. se nelci mi
The Appassionata of Artur Rubenstein is-liked-by me.
10.4) la .apasionatas ne la betovn. se nelci mi
The Appassionata, which is of Beethoven, is-liked-by me.
Here the precise selbri of the relative clauses is lost: all we
can tell is that the Appassionata is connected in some way with
Rubenstein (in Example 10.3) and Beethoven
(in Example 10.4), and that the
relationships are respectively restrictive and incidental.
It happens that both ``cusku'' and ``finti'' have BAI cmavo, namely ``cu'u'' and ``fi'e''. We can recast Example 10.3 and Example 10.4 as:
10.5) la .apasionatas pe cu'u la .artr. rubnstain.
cu se nelci mi
The Appassionata expressed-by Artur Rubenstein
is-liked-by me.
10.6) la .apasionatas ne fi'e la betovn.
cu se nelci mi
The Appassionata, invented-by Beethoven,
is-liked-by me.
Example 10.5 and Example
10.6 have the full semantic content of Example 10.1 and Example
10.2 respectively.
Modal relative phrases are often used with the BAI cmavo ``mau'' and ``me'a'', which are based on the comparative gismu ``zmadu'' (more than) and ``mleca'' (less than) respectively. The place structures are:
zmadu x1 is more than x2 in property/quantity x3
by amount x4
mleca x1 is less than x2 in property/quantity x3
by amount x4
Here are some examples:
10.7) la frank. nelci la betis. ne semau la meiris.
Frank likes Betty, which-is more-than Mary.
Frank likes Betty more than (he likes) Mary.
Example 10.7 requires that Frank likes
Betty, but adds the information that his liking for Betty
exceeds his liking for Mary. The modal appears in the form
``semau'' because the x2 place of ``zmadu'' is the basis for
comparison: in this case, Frank's liking for Mary.
10.8) la frank. nelci la meiris. ne seme'a la betis.
Frank likes Mary, which-is less-than Betty.
Frank likes Mary less than (he likes) Betty.
Here we are told that Frank likes Mary less than he likes
Betty; the information about the comparison is the same. It
would be possible to rephrase Example 10.7
using ``me'a'' rather than ``semau'', and Example 10.8 using ``mau'' rather than
``seme'a'', but such usage would be unnecessarily confusing.
Like many BAI cmavo, ``mau'' and ``me'a'' are more useful when
converted with ``se''.
If the ``ne'' were omitted in Example 10.7 and Example 10.8, the modal sumti (``la meiris.'' and ``la betis.'' respectively) would become attached to the bridi as a whole, producing a very different translation. Example 10.8 would become:
10.9) la frank. nelci la meiris. seme'a la betis.
Frank likes Mary is-less-than Betty.
Frank's liking Mary is less than Betty.
which compares a liking with a person, and is therefore
nonsense.
Pure comparison, which states only the comparative information but says nothing about whether Frank actually likes either Mary or Betty (he may like neither, but dislike Betty less), would be expressed differently, as:
10.10) le ni la frank. nelci la betis.
cu zmadu le ni la frank. nelci la meiris.
The quantity-of Frank's liking Betty
is-more-than the quantity-of Frank's liking Mary.
The mechanisms explained in this section are appropriate to
many modals other than ``semau'' and ``seme'a''. Some other
modals that are often associated with relative phrases are:
``seba'i'' (``instead of''), ``ci'u'' (``on scale''), ``de'i''
(``dated''), ``du'i'' (``as much as''). Some BAI tags can be
used equally well in relative phrases or attached to bridi;
others seem useful only attached to bridi. But it is also
possible that the usefulness of particular BAI modals is an
English-speaker bias, and that speakers of other languages may
find other BAIs useful in divergent ways.
Note: The uses of modals discussed in this section are applicable both to BAI modals and to ``fi'o''-plus-selbri modals.
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Previous
Modal selbri |
To Boston Via The Road Go I, With An Excursion Into The Land Of Modals
The Lojban Reference Grammar |
Next
Mixed modal connection |