Chapter 4
The Shape Of Words To Come: Lojban Morphology

1. Introductory

5)

C/C represents two adjacent consonants which constitute one of the permissible consonant pairs (not necessarily a permissible initial consonant pair). The permissible consonant pairs are explained in Chapter 3. In brief, any consonant pair is permissible unless it contains: two identical letters, both a voiced (excluding ``r'', ``l'', ``m'', ``n'') and and an unvoiced consonant, or is one of certain specified forbidden pairs.

6)

C/CC represents a consonant triple. The first two consonants must constitute a permissible consonant pair; the last two consonants must constitute a permissible initial consonant pair.

They are also functionally different: cmavo are the structure words, corresponding to English words like ``and'', ``if'', ``the'' and ``to''; brivla are the content words, corresponding to English words like ``come'', ``red'', ``doctor'', and ``freely''; cmene are proper names, corresponding to English ``James'', ``Afghanistan'', and ``Pope John Paul II''.

2. cmavo

The first group of Lojban words discussed in this chapter are the cmavo. They are the structure words that hold the Lojban language together. They often have no semantic meaning in themselves, though they may affect the semantics of brivla to which they are attached. The cmavo include the equivalent of English articles, conjunctions, prepositions, numbers, and punctuation marks. There are over a hundred subcategories of cmavo, known as ``selma'o'', each having a specifically defined grammatical usage. The various selma'o are discussed throughout Chapters 5 to 19 and summarized in Chapter 20.

Standard cmavo occur in four forms defined by their word structure. Here are some examples of the various forms:

   V-form      .a  .e  .i  .o  .u
    CV-form     ba  ce  di  fo  gu
    VV-form     .au .ei .ia .o'u    .u'e
    CVV-form    ki'a    pei mi'o    coi cu'u

In addition, there is the cmavo ``.y.'' (remember that ``y'' is not a V), which must have pauses before and after it.

A simple cmavo thus has the property of having only one or two vowels, or of having a single consonant followed by one or two vowels. Words consisting of three or more vowels in a row, or a single consonant followed by three or more vowels, are also of cmavo form, but are reserved for experimental use: a few examples are ``ku'a'e'', ``sau'e'', and ``bai'ai''. All CVV cmavo beginning with the letter ``x'' are also reserved for experimental use. In general, though, the form of a cmavo tells you little or nothing about its grammatical use.

``Experimental use'' means that the language designers will not assign any standard meaning or usage to these words, and words and usages coined by Lojban speakers will not appear in official dictionaries for the indefinite future. Experimental-use words provide an escape hatch for adding grammatical mechanisms (as opposed to semantic concepts) the need for which was not foreseen.

The cmavo of VV-form include not only the diphthongs and vowel pairs listed in Section 1, but also the following ten additional diphthongs:

   .ia .ie .ii .io .iu
    .ua .ue .ui .uo .uu

In addition, cmavo can have the form ``Cy'', a consonant followed by the letter ``y''. These cmavo represent letters of the Lojban alphabet, and are discussed in detail in Chapter 17.

Compound cmavo are sequences of cmavo attached together to form a single written word. A compound cmavo is always identical in meaning and in grammatical use to the separated sequence of simple cmavo from which it is composed. These words are written in compound form merely to save visual space, and to ease the reader's burden in identifying when the component cmavo are acting together.

Compound cmavo, while not visually short like their components, can be readily identified by two characteristics:

1)

They have no consonant pairs or clusters, and

2)

They end in a vowel.

For example:

2.1)  .iseci'i
    .i se ci'i

2.2)   punaijecanai
    pu nai je ca nai

2.3)   ki'e.u'e
    ki'e .u'e

2.4)  ki'e'u'e

2.5)  cy.ibu.abu
    cy. .ibu .abu

Again the pauses are required (see Section 9); the pause after ``cy.'' merges with the pause before ``.ibu''.

There is no particular stress required in cmavo or their compounds. Some conventions do exist that are not mandatory. For two-syllable cmavo, for example, stress is typically placed on the first vowel; an example is

2.6)  .e'o ko ko kurji
    .E'o ko ko KURji

This convention results in a consistent rhythm to the language, since brivla are required to have penultimate stress; some find this esthetically pleasing.

If the final syllable of one word is stressed, and the first syllable of the next word is stressed, you must insert a pause or glottal stop between the two stressed syllables. Thus

2.7)  le re nanmu

2.8)  le RE. NANmu

2.9)  LE re NANmu

Both cmavo may also be left unstressed, thus:

2.10)    le re NANmu

This would probably be the most common usage.

3. brivla

1)

always end in a vowel;

2)

always contain a consonant pair in the first five letters, where ``y'' and apostrophe are not counted as letters for this purpose. (See Section 6.)

3)

always are stressed on the next-to-the-last (penultimate) syllable; this implies that they have two or more syllables.

Thus, ``bisycla'' has the consonant pair ``sc'' in the first five non-``y'' letters even though the ``sc'' actually appears in the form of ``syc''. Similarly, the word ``ro'inre'o'' contains ``nr'' in the first five letters because the apostrophes are not counted for this purpose.

The three subtypes of brivla are:

1)

gismu, the Lojban primitive roots from which all other brivla are built;

2)

lujvo, the compounds of two or more gismu; and

3) fu'ivla (literally ``copy-word''), the specialized
    words that are not Lojban primitives or natural
    compounds, and are therefore borrowed from other
    languages.

4. gismu

All gismu have very strong form restrictions. Using the conventions defined in Section 1, all gismu are of the forms CVC/CV or CCVCV. They must meet the rules for all brivla given in Section 3; furthermore, they:

1)

always have five letters;

2)

always start with a consonant and end with a single vowel;

3)

always contain exactly one consonant pair, which is a permissible initial pair (CC) if it's at the beginning of the gismu, but otherwise only has to be a permissible pair (C/C);

4)

are always stressed on the first syllable (since that is penultimate).

With the exception of five special brivla variables, ``broda'', ``brode'', ``brodi'', ``brodo'', and ``brodu'', no two gismu differ only in the final vowel. Furthermore, the set of gismu was specifically designed to reduce the likelihood that two similar sounding gismu could be confused. For example, because ``gismu'' is in the set of gismu, ``kismu'', ``xismu'', ``gicmu'', ``gizmu'', and ``gisnu'' cannot be.

Almost all Lojban gismu are constructed from pieces of words drawn from other languages, specifically Chinese, English, Hindi, Spanish, Russian, and Arabic, the six most widely spoken natural languages. For a given concept, words in the six languages that represent that concept were written in Lojban phonetics. Then a gismu was selected to maximize the recognizability of the Lojban word for speakers of the six languages by weighting the inclusion of the sounds drawn from each language by the number of speakers of that language. See Section 14 for a full explanation of the algorithm.

Here are a few examples of gismu, with rough English equivalents (not definitions):

3.1)  creka
    shirt

3.2)   lijda
    religion

3.3)   blanu
    blue

3.4)   mamta
    mother

3.5)   cukta
    book

3.6)   patfu
    father

3.7)   nanmu
    man

3.8)   ninmu
    woman

A small number of gismu were formed differently; see Section 15 for a list.

5. lujvo

5.1)  skami pilno

The simplest Lojban tanru are pairings of two concepts or ideas. Such tanru take two simpler ideas that can be represented by gismu and combine them into a single more complex idea. Two-part tanru may then be recombined in pairs with other tanru, or with individual gismu, to form more complex or more specific ideas, and so on.

The meaning of a tanru is usually at least partly ambiguous: ``skami pilno'' could refer to a computer that is a user, or to a user of computers. There are a variety of ways that the modifier component can be related to the modified component. It is also possible to use cmavo within tanru to provide variations (or to prevent ambiguities) of meaning.

Making tanru is essentially a poetic or creative act, not a science. While the syntax expressing the grouping relationships within tanru is unambiguous, tanru are still semantically ambiguous, since the rules defining the relationships between the gismu are flexible. The process of devising a new tanru is dealt with in detail in Chapter 5.

To express a simple tanru, simply say the component gismu together. Thus the binary metaphor ``big boat'' becomes the tanru

5.2)  barda bloti

The binary metaphor ``father mother'' can refer to a paternal grandmother (``a father-ly type of mother''), while ``mother father'' can refer to a maternal grandfather (``a mother-ly type of father''). In Lojban, these become the tanru

5.3)  patfu mamta

5.4)  mamta patfu

The possibility of semantic ambiguity can easily be seen in the last case. To interpret Example 5.4, the listener must determine what type of motherliness pertains to the father being referred to. In an appropriate context, ``mamta patfu'' could mean not ``grandfather'' but simply ``father with some motherly attributes'', depending on the culture. If absolute clarity is required, there are ways to expand upon and explain the exact interrelationship between the components; but such detail is usually not needed.

When a concept expressed in a tanru proves useful, or is frequently expressed, it is desirable to choose one of the possible meanings of the tanru and assign it to a new brivla. For Example 5.1, we would probably choose ``user of computers'', and form the new word

5.5)  sampli

Such a brivla, built from the rafsi which represent its component words, is called a ``lujvo''. Another example, corresponding to the tanru of Example 5.2, would be:

5.6)  bralo'i
    big-boat
    ship

The lujvo that can be built from the tanru ``mamta patfu'' in Example 5.4 is

5.7)  mampa'u

Like gismu, lujvo have only one meaning. When a lujvo is formally entered into a dictionary of the language, a specific definition will be assigned based on one particular interrelationship between the terms. (See Chapter 12 for how this has been done.) Unlike gismu, lujvo may have more than one form. This is because there is no difference in meaning between the various rafsi for a gismu when they are used to build a lujvo. A long rafsi may be used, especially in noisy environments, in place of a short rafsi; the result is considered the same lujvo, even though the word is spelled and pronounced differently. Thus the word ``brivla'', built from the tanru ``bridi valsi'', is the same lujvo as ``brivalsi'', ``bridyvla'', and ``bridyvalsi'', each of which uses a different combination of rafsi.

When assembling rafsi together into lujvo, the rules for valid brivla must be followed: a consonant cluster must occur in the first five letters (excluding ``y'' and ``'''), and the lujvo must end in a vowel.

A ``y'' (which is ignored in determining stress or consonant clusters) is inserted in the middle of the consonant cluster to glue the word together when the resulting cluster is either not permissible or the word is likely to break up. There are specific rules describing these conditions, detailed in Section 6.

An ``r'' (in some cases, an ``n'') is inserted when a CVV-form rafsi attaches to the beginning of a lujvo in such a way that there is no consonant cluster. For example, in the lujvo

5.8)  soirsai
    sonci sanmi
    soldier meal
    field rations

Learning rafsi and the rules for assembling them into lujvo is clearly seen to be necessary for fully using the potential Lojban vocabulary.

Most important, it is possible to invent new lujvo while you speak or write in order to represent a new or unfamiliar concept, one for which you do not know any existing Lojban word. As long as you follow the rules for building these compounds, there is a good chance that you will be understood without explanation.

6. rafsi

Every gismu has from two to five rafsi, each of a different form, but each such rafsi represents only one gismu. It is valid to use any of the rafsi forms in building lujvo --- whichever the reader or listener will most easily understand, or whichever is most pleasing --- subject to the rules of lujvo making. There is a scoring algorithm which is intended to determine which of the possible and legal lujvo forms will be the standard dictionary form (see Section 12).

Each gismu always has at least two rafsi forms; one is the gismu itself (used only at the end of a lujvo), and one is the gismu without its final vowel (used only at the beginning or middle of a lujvo). These forms are represented as -CVC/CV or -CCVCV (called ``the 5-letter rafsi''), and -CVC/C- or -CCVC- (called ``the 4-letter rafsi'') respectively. The dashes in these rafsi form representations show where other rafsi may be attached to form a valid lujvo. When lujvo are formed only from 4-letter and 5-letter rafsi, known collectively as ``long rafsi'', they are called ``unreduced lujvo''.

Some examples of unreduced lujvo forms are:

6.1)  mamtypatfu
    from ``mamta patfu''
    ``mother father'' or ``maternal grandfather''

6.2)   lerfyliste
    from ``lerfu liste''
    ``letter list'' or a ``list of letters''
    (letters of the alphabet)

6.3)   nancyprali
    from ``nanca prali''
    ``year profit'' or ``annual profit''

6.4)   prunyplipe
    from ``pruni plipe''
    ``elastic (springy) leap'' or ``spring'' (the verb)

6.5)  vancysanmi
    from ``vanci sanmi''
    ``evening meal'' or ``supper''

For example, ``zmadu'' (``more than'') has the two short rafsi ``-zma-'' and ``-mau-'' (in addition to its unreduced rafsi ``-zmad-'' and ``-zmadu''), because a vast number of lujvo have been created based on ``zmadu'', corresponding in general to English comparative adjectives ending in ``-er'' such as ``whiter'' (Lojban ``labmau''). On the other hand, ``bakri'' (``chalk'') has no short rafsi and few lujvo.

There are at most one CVC-form, one CCV-form, and one CVV-form rafsi per gismu. In fact, only a tiny handful of gismu have both a CCV-form and a CVV-form rafsi assigned, and still fewer have all three forms of short rafsi. However, gismu with both a CVC-form and another short rafsi are fairly common, partly because more possible CVC-form rafsi exist. Yet CVC-form rafsi, even though they are fairly easy to remember, cannot be used at the end of a lujvo (because lujvo must end in vowels), so justifying the assignment of an additional short rafsi to many gismu.

The intention was to use the available ``rafsi space'' --- the set of all possible short rafsi forms --- in the most efficient way possible; the goal is to make the most-used lujvo as short as possible (thus maximizing the use of short rafsi), while keeping the rafsi very recognizable to anyone who knows the source gismu. For this reason, the letters in a rafsi have always been chosen from among the five letters of the corresponding gismu. As a result, there are a limited set of short rafsi available for assignment to each gismu. At most seven possible short rafsi are available for consideration (of which at most three can be used, as explained above).

Here are the only short rafsi forms that can possibly exist for gismu of the form CVC/CV, like ``sakli''. The digits in the second column represent the gismu letters used to form the rafsi.

   CVC     123     -sak-
    CVC     124     -sal-
    CVV     12'5        -sa'i-
    CVV     125     -sai-
    CCV     345     -kli-
    CCV     132     -ska-

For gismu of the form CCVCV, like ``blaci'', the only short rafsi forms that can exist are:

   CVC     134     -bac-
    CVC     234     -lac
    CVV     13'5        -ba'i-
    CVV     135     -bai-
    CVV     23'5        -la'i-
    CVV     235     -lai-
    CCV     123     -bla-

There are a few restrictions: a CVV-form rafsi without an apostrophe cannot exist unless the vowels make up one of the four diphthongs ``ai'', ``ei'', ``oi'', or ``au''; and a CCV-form rafsi is possible only if the two consonants form a permissible initial consonant pair (see Section 1). Thus ``mamta'', which has the same form as ``salci'', can only have ``mam'', ``mat'', and ``ma'a'' as possible rafsi: in fact, only ``mam'' is assigned to it.

Some cmavo also have associated rafsi, usually CVC-form. For example, the ten common numerical digits, which are all CV form cmavo, each have a CVC-form rafsi formed by adding a consonant to the cmavo. Most cmavo that have rafsi are ones used in composing tanru (for a complete list, see Chapter 12).

The term for a lujvo made up solely of short rafsi is ``fully reduced lujvo''. Here are some examples of fully reduced lujvo:

6.6)  cumfri
    from ``cumki lifri''
    ``possible experience''

6.7)   klezba
    from ``klesi zbasu''
    ``category make''

6.8)   kixta'a
    from ``krixa tavla''
    ``cry-out talk''

6.9)   sniju'o
    from ``sinxa djuno''
    ``sign know''

In addition, some of the unreduced forms in the previous example may be fully reduced to:

6.10)    mampa'u
    from ``mamta patfu''
    ``mother father'' or ``maternal grandfather''

6.11) lerste
    from ``lerfu liste''
    ``letter list'' or a ``list of letters''

When attaching two rafsi together, it may be necessary to insert a hyphen letter. In Lojban, the term ``hyphen'' always refers to a letter, either the vowel ``y'' or one of the consonants ``r'' and ``n''. (The letter ``l'' can also be a hyphen, but is not used as one in lujvo.)

The ``y''-hyphen is used after a CVC-form rafsi when joining it with the following rafsi could result in an impermissible consonant pair, or when the resulting lujvo could fall apart into two or more words (either cmavo or gismu).

Thus, the tanru ``pante tavla'' (``protest talk'') cannot produce the lujvo ``patta'a'', because ``tt'' is not a permissible consonant pair; the lujvo must be ``patyta'a''. Similarly, the tanru ``mudri siclu'' (``wooden whistle'') cannot form the lujvo ``mudsiclu''; instead, ``mudysiclu'' must be used. (Remember that ``y'' is not counted in determining whether the first five letters of a brivla contain a consonant cluster: this is why.)

The ``y''-hyphen is also used to attach a 4-letter rafsi, formed by dropping the final vowel of a gismu, to the following rafsi. (This procedure was shown, but not explained, in Examples 6.1 to 6.5.) The lujvo forms ``zunlyjamfu'', ``zunlyjma'', ``zuljamfu'', and ``zuljma'' are all legitimate and equivalent forms made from the tanru ``zunle jamfu'' (``left foot''). Of these, ``zuljma'' is the preferred one since it is the shortest; it thus is likely to be the form listed in a Lojban dictionary.

The ``r''-hyphen and its close relative, the ``n''-hyphen, are used in lujvo only after CVV-form rafsi. A hyphen is always required in a two-part lujvo of the form CVV-CVV, since otherwise there would be no consonant cluster.

An ``r-''hyphen or ``n''-hyphen is also required after the CVV-form rafsi of any lujvo of the form CVV-CVC/CV or CVV-CCVCV since it would otherwise fall apart into a CVV-form cmavo and a gismu. In any lujvo with more than two parts, a CVV-form rafsi in the initial position must always be followed by a hyphen. If the hyphen were to be omitted, the supposed lujvo could be broken into smaller words without the hyphen: because the CVV-form rafsi would be interpreted as a cmavo, and the remainder of the word as a valid lujvo that is one rafsi shorter.

An ``n''-hyphen is only used in place of an ``r''-hyphen when the following rafsi begins with ``r''. For example, the tanru ``rokci renro'' (``rock throw'') cannot be expressed as ``ro'ire'o'' (which breaks up into two cmavo), nor can it be ``ro'irre'o'' (which has an impermissible double consonant); the ``n''-hyphen is required, and the correct form of the hyphenated lujvo is ``ro'inre'o''. The same lujvo could also be expressed without hyphenation as ``rokre'o''.

There is also a different way of building lujvo, or rather phrases which are grammatically and semantically equivalent to lujvo. You can make a phrase containing any desired words, joining each pair of them with the special cmavo ``zei''. Thus,

6.12)    bridi zei valsi

6.13)    xy. zei kantu
    X ray

6.14)    kulnr,farsi zei lolgai
    Farsi floor-cover
    Persian rug

6.15)    na'e zei .a zei na'e zei by. livgyterbilma
    non-A, non-B liver-disease
    non-A, non-B hepatitis

6.16)    .cerman. zei xarnykarce
    Sherman war-car
    Sherman tank

6.17)    na'e zei .a zei na'e zei by. zei livgyterbilma
    non-A-non-B-hepatitis

Note that rafsi may not be used in ``zei'' phrases, because they are not words. CVV rafsi look like words (specifically cmavo) but there can be no confusion between the two uses of the same letters, because cmavo appear only as separate words or in compound cmavo (which are really just a notation for writing separate but closely related words as if they were one); rafsi appear only as parts of lujvo.

7. fu'ivla

There are four stages of borrowing in Lojban, as words become more and more modified (but shorter and easier to use). Stage 1 is the use of a foreign name quoted with the cmavo ``la'o'' (explained in full in Chapter 19):

7.1)  me la'o ly. spaghetti .ly.

Stage 2 involves changing the foreign name to a Lojbanized name, as explained in Section 8:

7.2)  me la spagetis.

One of these expedients is often quite sufficient when you need a word quickly in conversation. (This can make it easier to get by when you do not yet have full command of the Lojban vocabulary, provided you are talking to someone who will recognize the borrowing.)

Where a little more universality is desired, the word to be borrowed must be Lojbanized into one of several permitted forms. A rafsi is then usually attached to the beginning of the Lojbanized form, using a hyphen to ensure that the resulting word doesn't fall apart.

The rafsi categorizes or limits the meaning of the fu'ivla; otherwise a word having several different jargon meanings in other languages would require the word-inventor to choose which meaning should be assigned to the fu'ivla, since fu'ivla (like other brivla) are not permitted to have more than one definition. Such a Stage 3 borrowing is the most common kind of fu'ivla.

Finally, Stage 4 fu'ivla do not have any rafsi classifier, and are used where a fu'ivla has become so common or so important that it must be made as short as possible. (See Section 16 for a proposal concerning Stage 4 fu'ivla.)

The form of a fu'ivla reliably distinguishes it from both the gismu and the cmavo. Like cultural gismu, fu'ivla are generally based on a word from a single non-Lojban language. The word is ``borrowed'' (actually ``copied'', hence the Lojban tanru ``fukpi valsi'') from the other language and Lojbanized --- the phonemes are converted to their closest Lojban equivalent and modifications are made as necessary to make the word a legitimate Lojban fu'ivla-form word. All fu'ivla:

1)

must contain a consonant cluster in the first five letters of the word; if this consonant cluster is at the beginning, it must either be a permissible initial consonant pair, or a longer cluster such that each pair of adjacent consonants in the cluster is a permissible initial consonant pair: ``spraile'' is acceptable, but not ``ktraile'' or ``trkaile'';

2)

must end in one or more vowels;

3)

must not be gismu or lujvo, or any combination of cmavo, gismu, and lujvo; furthermore, a fu'ivla with a CV cmavo joined to the front of it must not have the form of a lujvo (the so-called ``slinku'i test'');

4)

cannot contain ``y'', although they may contain syllabic pronunciations of Lojban consonants;

5)

like other brivla, are stressed on the penultimate syllable.

This is a fairly liberal definition and allows quite a lot of possibilities within ``fu'ivla space''. Stage 3 fu'ivla can be made easily on the fly, as lujvo can, because the procedure for forming them always guarantees a word that cannot violate any of the rules. Stage 4 fu'ivla require running tests that are not simple to characterize or perform, and should be made only after deliberation and by someone knowledgeable about all the considerations that apply.

Here is a simple and reliable procedure for making a non-Lojban word into a valid Stage 3 fu'ivla:

1)

Eliminate all double consonants and silent letters.

2)

Convert all sounds to their closest Lojban equivalents. Lojban ``y'', however, may not be used in any fu'ivla.

3)

If the last letter is not a vowel, modify the ending so that the word ends in a vowel, either by removing a final consonant or by adding a suggestively chosen final vowel.

4)

If the first letter is not a consonant, modify the beginning so that the word begins with a consonant, either by removing an initial vowel or adding a suggestively chosen initial consonant.

5)

Prefix the result of steps 1-5 with a 4-letter rafsi that categorizes the fu'ivla into a ``topic area''. It is only safe to use a 4-letter rafsi; short rafsi sometimes produce invalid fu'ivla. Hyphenate the rafsi to the rest of the fu'ivla with an ``r''-hyphen; if that would produce a double ``r'', use an ``n''-hyphen instead; if the rafsi ends in ``r'' and the rest of the fu'ivla begins with ``n'' (or vice versa) use an ``l''-hyphen. (This is the only use of ``l''-hyphen in Lojban.)

Alternatively, if a CVC-form short rafsi is available it can be used instead of the long rafsi.

6)

Remember that the stress necessarily appears on the penultimate (next-to-the-last) syllable.

Here are a few examples:

7.3)  spaghetti (from English or Italian)
    spageti (Lojbanize)
    cidj,r,spageti (prefix long rafsi)
    dja,r,spageti (prefix short rafsi)

7.4)  Acer (the scientific name of maple trees)
    acer (Lojbanize)
    xaceru (add initial consonant and final vowel)
    tric,r,xaceru (prefix rafsi)
    ric,r,xaceru (prefix short rafsi)

7.5)  brie (from French)
    bri (Lojbanize)
    cirl,r,bri (prefix rafsi)

7.6)  cobra
    kobra (Lojbanize)
    sinc,r,kobra (prefix rafsi)

7.7)  quark
    kuark (Lojbanize)
    kuarka (add final vowel)
    sask,r,kuarka (prefix rafsi)

The use of the prefix helps distinguish among the many possible meanings of the borrowed word, depending on the field. As it happens, ``spageti'' and ``kuarka'' are valid Stage 4 fu'ivla, but ``xaceru'' looks like a compound cmavo, and ``kobra'' like a gismu.

For another example, ``integral'' has a specific meaning to a mathematician. But the Lojban fu'ivla ``integrale'', which is a valid Stage 4 fu'ivla, does not convey that mathematical sense to a non-mathematical listener, even one with an English-speaking background; its source --- the English word ``integral'' --- has various other specialized meanings in other fields.

Left uncontrolled, ``integrale'' almost certainly would eventually come to mean the same collection of loosely related concepts that English associates with ``integral'', with only the context to indicate (possibly) that the mathematical term is meant.

The prefix method would render the mathematical concept as ``cmacrntegrale'', if the ``i'' of ``integrale'' is removed, or something like ``cmacrnintegrale'', if a new consonant is added to the beginning; ``cmac-'' is the rafsi for ``cmaci'' (``mathematics''). The architectural sense of ``integral'' might be conveyed with ``djinrnintegrale'' or ``tarmrnintegrale'', where ``dinju'' and ``tarmi'' mean ``building'' and ``form'' respectively.

Here are some fu'ivla representing cultures and related things, shown with more than one rafsi prefix:

7.8)  bang,r,blgaria
    Bulgarian (in language)

7.9)   kuln,r,blgaria
    Bulgarian (in culture)

7.10) gugd,r,blgaria
    Bulgaria (the country)

7.11)    bang,r,kore,a
    Korean (the language)

7.12) kuln,r,kore,a
    Korean (the culture)

8. cmene

8.1)  djim.
    Jim

8.2)  djein.
    Jane

8.3)  .arnold.
    Arnold

8.4)  pit.
    Pete

8.5)  katrinas.
    Katrina

8.6)  kat,r,in.
    Catherine

8.7)  katis.
    Cathy

8.8)  keit.
    Kate

8.9)  djan.  djonz.

8.10)    djandjonz.

The final arbiter of the correct form of a name is the person doing the naming, although most cultures grant people the right to determine how they want their own name to be spelled and pronounced. The English name ``Mary'' can thus be Lojbanized as ``meris.'', ``maris.'', ``meiris.'', ``merix.'', or even ``marys.''. The last alternative is not pronounced much like its English equivalent, but may be desirable to someone who values spelling over pronunciation. The final consonant need not be an ``s''; there must, however, be some Lojban consonant at the end.

Names are not permitted to have the sequences ``la'', ``lai'', or ``doi'' embedded in them, unless the sequence is immediately preceded by a consonant. These minor restrictions are due to the fact that all Lojban cmene embedded in a speech stream will be preceded by one of these words or by a pause. With one of these words embedded, the cmene might break up into valid Lojban words followed by a shorter cmene. However, break-up cannot happen after a consonant, because that would imply that the word before the ``la'', or whatever, ended in a consonant without pause, which is impossible.

For example, the invalid name ``laplas.'' would look like the Lojban words ``la plas.'', and ``ilanas.'' would be misunderstood as ``.i la nas.''. However, ``nederlants.'' cannot be misheard as ``neder lants.'', because ``neder'' with no following pause is not a possible Lojban word.

There are close alternatives to these forbidden sequences that can be used in Lojbanizing names, such as ``ly'', ``lei'', and ``dai'' or ``do'i'', that do not cause these problems.

Lojban cmene are identifiable as word forms by the following characteristics:

1)

They must end in one or more consonants. There are no rules about how many consonants may appear in a cluster in cmene, provided that each consonant pair (whether standing by itself, or as part of a larger cluster) is a permissible pair.

2)

They may contain the letter y as a normal, non-hyphenating vowel. They are the only kind of Lojban word that may contain the two diphthongs ``iy'' and ``uy''.

3)

They are always followed in speech by a pause after the final consonant, written as ``.''.

4)

They may be stressed on any syllable; if this syllable is not the penultimate one, it must be capitalized when writing. Neither names nor words that begin sentences are capitalized in Lojban, so this is the only use of capital letters.

8.11)    pav.
    the One
    from the cmavo ``pa'', with rafsi ``pav'', meaning ``one''

8.12)    sol.
    the Sun
    from the gismu ``solri'', meaning ``solar'', or actually
        ``pertaining to the Sun''

8.13)    ralj.
    Chief (as a title)
    from the gismu ``ralju'', meaning ``principal''.

8.14)    nol.
    Lord/Lady
    from the gismu ``nobli'', with rafsi ``nol'',
        meaning ``noble''.

1)

Eliminate double consonants and silent letters.

2)

Add a final ``s'' or ``n'' (or some other consonant that sounds good) if the name ends in a vowel.

3)

Convert all sounds to their closest Lojban equivalents.

4)

If possible and acceptable, shift the stress to the penultimate (next-to-the-last) syllable. Use commas and capitalization in written Lojban when it is necessary to preserve non-standard syllabication or stress. Do not capitalize names otherwise.

5)

If the name contains an impermissible consonant pair, insert a vowel between the consonants: ``y'' is recommended.

6)

No cmene may have the syllables ``la'', ``lai'', or ``doi'' in them, unless immediately preceded by a consonant. If these combinations are present, they must be converted to something else. Possible substitutions include ``ly'', ``ly'i'', and ``dai'' or ``do'i'', respectively.

1)

Change double consonants other than ``cc'' to single consonants.

2)

Change ``cc'' before a front vowel to ``kc'', but otherwise to ``k''.

3)

Change ``c'' before a back vowel and final ``c'' to ``k''.

4)

Change ``ng'' before a consonant (other than ``h'') and final ``ng'' to ``n''.

5)

Change ``x'' to ``z'' initially, but otherwise to ``ks''.

6)

Change ``pn'' to ``n'' initially.

7)

Change final ``ie'' and ``ii'' to ``i''.

8)

Make the following idiosyncratic substitutions:

aa a ae e ch k ee i eigh ei ew u igh ai oo u ou u ow au ph f q k sc sk w u y i

However, the diphthong substitutions should not be done if the two vowels are in two different syllables.

9)

Change ``h'' between two vowels to ``''', but otherwise remove it completely. If preservation of the ``h'' seems essential, change it to ``x'' instead.

10)

Place ``''' between any remaining vowel pairs that do not form Lojban diphthongs.

Some further examples of Lojbanized names are:

   English ``Mary''        meris.
        or      meiris.
    English ``Smith''       smit.
    English ``Jones''       djonz.
    English ``John''        djan. or jan. (American)
                  or djon. or jon. (British)
    English ``Alice''       .alis.
    English ``Elise''       .eLIS.
    English ``Johnson'' djansn.
    English ``William'' .uiliam.
                  or .uil,iam.
    English ``Brown''       braun.
    English ``Charles'' tcarlz.
    French ``Charles''  carl.
    French ``De Gaulle''    dyGOL.
    German ``Heinrich'' xainrix.
    Spanish ``Joaquin'' xuaKIN.
    Russian ``Svetlana''    sfietlanys.
    Russian ``Khrushchev''  xrucTCOF.
    Hindi ``Krishna''       kricnas.
    Polish ``Lech Walesa''  lex. va,uensas.
    Spanish ``Don Quixote'' don. kicotes.
            or modern Spanish: don. kixotes.
            or Mexican dialect: don. ki'otes.
    Chinese ``Mao Zedong''  maudzydyn.
    Japanese ``Fujiko'' fudjikos.
                  or fujikos.

9. Rules for inserting pauses

7)

When non-Lojban text is embedded in Lojban, it must be preceded and followed by pauses. (How to embed non-Lojban text is explained in Chapter 19.)

10. Considerations for making lujvo

Given a tanru which expresses an idea to be used frequently, it can be turned into a lujvo by following the lujvo-making algorithm which is given in Section 11.

In building a lujvo, the first step is to replace each gismu with a rafsi that uniquely represents that gismu. These rafsi are then attached together by fixed rules that allow the resulting compound to be recognized as a single word and to be analyzed in only one way.

There are three other complications; only one is serious.

The first is that there is usually more than one rafsi that can be used for each gismu. The one to be used is simply whichever one sounds or looks best to the speaker or writer. There are usually many valid combinations of possible rafsi. They all are equally valid, and all of them mean exactly the same thing. (The scoring algorithm given in Section 12 is used to choose the standard form of the lujvo --- the version which would be entered into a dictionary.)

The second complication is the serious one. Remember that a tanru is ambiguous --- it has several possible meanings. A lujvo, or at least one that would be put into the dictionary, has just a single meaning. Like a gismu, a lujvo is a predicate which encompasses one area of the semantic universe, with one set of places. Hopefully the meaning chosen is the most useful of the possible semantic spaces. A possible source of linguistic drift in Lojban is that as Lojbanic society evolves, the concept that seems the most useful one may change.

You must also be aware of the possibility of some prior meaning of a new lujvo, especially if you are writing for posterity. If a lujvo is invented which involves the same tanru as one that is in the dictionary, and is assigned a different meaning (or even just a different place structure), linguistic drift results. This isn't necessarily bad. Every natural language does it. But in communication, when you use a meaning different from the dictionary definition, someone else may use the dictionary and therefore misunderstand you. You can use the cmavo ``za'e'' (explained in Chapter 19) before a newly coined lujvo to indicate that it may have a non-dictionary meaning.

The essential nature of human communication is that if the listener understands, then all is well. Let this be the ultimate guideline for choosing meanings and place structures for invented lujvo.

The third complication is also simple, but tends to scare new Lojbanists with its implications. It is based on Zipf's Law, which says that the length of words is inversely proportional to their usage. The shortest words are those which are used more; the longest ones are used less. Conversely, commonly used concepts will be tend to be abbreviated. In English, we have abbreviations and acronyms and jargon, all of which represent complex ideas that are used often by small groups of people, so they shortened them to convey more information more rapidly.

Therefore, given a complicated tanru with grouping markers, abstraction markers, and other cmavo in it to make it syntactically unambiguous, the psychological basis of Zipf's Law may compel the lujvo-maker to drop some of the cmavo to make a shorter (technically incorrect) tanru, and then use that tanru to make the lujvo.

This doesn't lead to ambiguity, as it might seem to. A given lujvo still has exactly one meaning and place structure. It is just that more than one tanru is competing for the same lujvo. But more than one meaning for the tanru was already competing for the ``right'' to define the meaning of the lujvo. Someone has to use judgment in deciding which one meaning is to be chosen over the others.

If the lujvo made by a shorter form of tanru is in use, or is likely to be useful for another meaning, the decider then retains one or more of the cmavo, preferably ones that set this meaning apart from the shorter form meaning that is used or anticipated. As a rule, therefore, the shorter lujvo will be used for a more general concept, possibly even instead of a more frequent word. If both words are needed, the simpler one should be shorter. It is easier to add a cmavo to clarify the meaning of the more complex term than it is to find a good alternate tanru for the simpler term.

And of course, we have to consider the listener. On hearing an unknown word, the listener will decompose it and get a tanru that makes no sense or the wrong sense for the context. If the listener realizes that the grouping operators may have been dropped out, he or she may try alternate groupings, or try inserting an abstraction operator if that seems plausible. (The grouping of tanru is explained in Chapter 5; abstraction is explained in Chapter 11.) Plausibility is the key to learning new ideas and to evaluating unfamiliar lujvo.

11. The lujvo-making algorithm

12. The lujvo scoring algorithm

12.1)    zbasai
    zba + sai
    (1000 * 6) - (500 * 0)
        + (100 * 0) - (10 * 15) - 3 = 5847

12.2) nunynau
    nun + y + nau
    32500 - (1000 * 7) + (500 * 0)
        - (100 * 1) + (10 * 13) + 3 = 6967

12.3) sairzbata'u
    sai + r + zba + ta'u
    32500 - (1000 * 11) + (500 * 1)
        - (100 * 1) + (10 * 21) + 5 = 10385

12.4) zbazbasysarji
    zba + zbas + y + sarji  
    32500 - (1000 * 13) + (500 * 0)
        - (100 * 1) + (10 * 12) + 4 = 12976

13. lujvo-making examples

This section contains examples of making and scoring lujvo. First, we will start with the tanru ``gerku zdani'' (``dog house'') and construct a lujvo meaning ``doghouse'', that is, a house where a dog lives. We will use a brute-force application of the algorithm in Section 12, using every possible rafsi.

The rafsi for ``gerku'' are:

-ger-, -ge'u-, -gerk-, -gerku

The rafsi for ``zdani'' are:

-zda-, -zdan-, -zdani.

Step 1 of the algorithm directs us to use ``-ger-'', ``-ge'u-'' and ``-gerk-'' as possible rafsi for ``gerku''; Step 2 directs us to use ``-zda-'' and ``-zdani'' as possible rafsi for ``zdani''. The six possible forms of the lujvo are then:

ger-zda ger-zdani ge'u-zda ge'u-zdani gerk-zda gerk-zdani

We must then insert appropriate hyphens in each case. The first two forms need no hyphenation: ``ge'' cannot fall off the front, because the following word would begin with ``rz'', which is not a permissible initial consonant pair. So the lujvo forms are ``gerzda'' and ``gerzdani''.

The third form, ``ge'u-zda'', needs no hyphen, because even though the first rafsi is CVV, the second one is CCV, so there is a consonant cluster in the first five letters. So ``ge'uzda'' is this form of the lujvo.

The fourth form, ``ge'u-zdani'', however, requires an ``r''-hyphen; otherwise, the ``ge'u-'' part would fall off as a cmavo. So this form of the lujvo is ``ge'urzdani''.

The last two forms require ``y''-hyphens, as all 4-letter rafsi do, and so are ``gerkyzda'' and ``gerkyzdani'' respectively.

The scoring algorithm is heavily weighted in favor of short lujvo, so we might expect that ``gerzda'' would win. Its L score is 6, its A score is 0, its H score is 0, its R score is 12, and its V score is 3, for a final score of 5878. The other forms have scores of 7917, 6367, 9506, 8008, and 10047 respectively. Consequently, this lujvo would probably appear in the dictionary in the form ``gerzda''.

For the next example, we will use the tanru ``bloti klesi'' (``boat class'') presumably referring to the category (rowboat, motorboat, cruise liner) into which a boat falls. We will omit the long rafsi from the process, since lujvo containing long rafsi are almost never preferred by the scoring algorithm when there are short rafsi available.

The rafsi for ``bloti'' are ``-lot-'', ``-blo-'', and ``-lo'i-''; for ``klesi'' they are ``-kle-'' and ``-lei-''. Both these gismu are among the handful which have both CVV-form and CCV-form rafsi, so there is an unusual number of possibilities available for a two-part tanru:

   lotkle      blokle      lo'ikle
    lotlei      blolei      lo'irlei

Only ``lo'irlei'' requires hyphenation (to avoid confusion with the cmavo sequence ``lo'i lei''). All six forms are valid versions of the lujvo, as are the six further forms using long rafsi; however, the scoring algorithm produces the following results:

   lotkle 5878 blokle 5858 lo'ikle 6367
    lotlei 5867 blolei 5847 lo'irlei 7456

So the form ``blolei'' is preferred, but only by a tiny margin over ``blokle''; the next two forms are only slightly worse; ``lo'ikle'' suffers because of its apostrophe, and ``lo'irlei'' because of having both apostrophe and hyphen.

Our third example will result in forming both a lujvo and a name from the tanru ``logji bangu girzu'', or ``logical-language group'' in English. (``The Logical Language Group'' is the name of the publisher of this book and the organization for the promotion of Lojban.) The available rafsi are ``-loj-'' and ``-logj-''; ``-ban-'', ``-bau-'', and ``-bang-''; and ``-gri-'' and ``-girzu'', and (for name purposes only) ``-gir-'' and ``-girz-''. The resulting 12 lujvo possibilities are:

   loj-ban-gri loj-bau-gri loj-bang-gri
    logj-ban-gri    logj-bau-gri    logj-bang-gri
    loj-ban-girzu   loj-bau-girzu   loj-bang-girzu
    logj-ban-girzu  logj-bau-girzu  logj-bang-girzu

   loj-ban-gir.    loj-bau-gir.    loj-bang-gir.
    logj-ban-gir.   logj-bau-gir.   logj-bang-gir.
    loj-ban-girz.   loj-bau-girz.   loj-bang-girz.
    logj-ban-girz.  logj-bau-girz.  logj-bang-girz.

After hyphenation, we have:

   lojbangri   lojbaugri   lojbangygri
    logjybangri logjybaugri logjybangygri
    lojbangirzu lojbaugirzu lojbangygirzu
    logjybangirzu   logjybaugirzu   logjybangygirzu

    lojbangir.  lojbaugir.  lojbangygir.
    logjybangir.    logjybaugir.    logjybangygir.
    lojbangirz. lojbaugirz. lojbangygirz.
    logjybangirz.   logjybaugirz.   logjybangygirz.

The only fully reduced lujvo forms are ``lojbangri'' and ``lojbaugri'', of which the latter has a slightly lower score: 8827 versus 8796, respectively. However, for the name of the organization, we chose to make sure the name of the language was embedded in it, and to use the clearer long-form rafsi for ``girzu'', producing ``lojbangirz.''

Finally, here is a four-part lujvo with a cmavo in it, based on the tanru ``nakni ke cinse ctuca'' or ``male (sexual teacher)''. The ``ke'' cmavo ensures the interpretation ``teacher of sexuality who is male'', rather than ``teacher of male sexuality''. Here are the possible forms of the lujvo, both before and after hyphenation:

   nak-kem-cin-ctu     nakykemcinctu
    nak-kem-cin-ctuca   nakykemcinctuca
    nak-kem-cins-ctu    nakykemcinsyctu
    nak-kem-cins-ctuca  nakykemcinsyctuca
    nakn-kem-cin-ctu    naknykemcinctu
    nakn-kem-cin-ctuca  naknykemcinctuca
    nakn-kem-cins-ctu   naknykemcinsyctu
    nakn-kem-cins-ctuca naknykemcinsyctuca

Of these forms, ``nakykemcinctu'' is the shortest and is preferred by the scoring algorithm. On the whole, however, it might be better to just make a lujvo for ``cinse ctuca'' (which would be ``cinctu'') since the sex of the teacher is rarely important. If there was a reason to specify ``male'', then the simpler tanru ``nakni cinctu'' (``male sexual-teacher'') would be appropriate. This tanru is actually shorter than the four-part lujvo, since the ``ke'' required for grouping need not be expressed.

14. The gismu creation algorithm

See Section 4 for an example.

5)

The gismu form with the highest score usually became the actual gismu. Sometimes a lower-scoring form was used to provide a better rafsi. A few gismu were changed in error as a result of transcription blunders (for example, the gismu ``gismu'' should have been ``gicmu'', but it's too late to fix it now).

   Chinese     0.36
    English     0.21
    Hindi       0.16
    Spanish     0.11
    Russian     0.09
    Arabic      0.07

using updated weights:

Chinese 0.347 Hindi 0.196 English 0.160 Spanish 0.123 Russian 0.089 Arabic 0.085

Note that the stressed vowel of the gismu was considered sufficiently distinctive that two or more gismu may differ only in this vowel; as an extreme example, ``bradi'', ``bredi'', ``bridi'', and ``brodi'' (but fortunately not ``brudi'') are all existing gismu.

15. Cultural and other non-algorithmic gismu

   broda       1st assignable predicate
    brode       2nd assignable predicate
    brodi       3rd assignable predicate
    brodo       4th assignable predicate
    brodu       5th assignable predicate
    cmavo       structure word (from ``cmalu valsi'')
    lojbo       Lojbanic (from ``logji bangu'')
    lujvo       compound word (from ``pluja valsi'')
    mekso       Mathematical EXpression

   decti       .1/deci
    centi       .01/centi   
    milti       .001/milli
    mikri       1E-6/micro
    nanvi       1E-9/nano
    picti       1E-12/pico
    femti       1E-15/femto 
    xatsi       1E-18/atto
    zepti       1E-21/zepto
    gocti       1E-24/yocto

   dekto       10/deka 
    xecto       100/hecto
    kilto       1000/kilo   
    megdo       1E6/mega    
    gigdo       1E9/giga
    terto       1E12/tera
    petso       1E15/peta
    xexso       1E18/exa
    zetro       1E21/zetta
    gotro       1E24/yotta

   delno       candela 
    kelvo       kelvin
    molro       mole
    radno       radian
    sinso       sine
    stero       steradian
    tanjo       tangent
    xampo       ampere

   jungo       Chinese (from ``Zhong1 guo2'')
    glico       English
    xindo       Hindi
    spano       Spanish
    rusko       Russian
    xrabo       Arabic

   bengo       Bengali
    porto       Portuguese
    baxso       Bahasa Melayu/Bahasa Indonesia
    ponjo       Japanese (from ``Nippon'')
    dotco       German (from ``Deutsch'')
    fraso       French (from ``Français'')
    xurdo       Urdu

   bemro       North American (from ``berti merko'')
    dzipo       Antarctican (from ``cadzu cipni'')
    ketco       South American (from ``Quechua'')
    friko       African
    polno       Polynesian/Oceanic
    ropno       European
    xazdo       Asiatic

   latmo       Latin/Roman
    srito       Sanskrit
    xebro       Hebrew/Israeli
    xelso       Greek (from ``Hellas'')

   budjo       Buddhist
    dadjo       Taoist
    muslo       Islamic/Moslem
    xriso       Christian

   jegvo       Jehovist (Judeo-Christian-Moslem)
    semto       Semitic
    slovo       Slavic
    xispo       Hispanic (New World Spanish)

16. rafsi fu'ivla: a proposal

The list of cultures represented by gismu, given in Section 15, is unavoidably controversial. Much time has been spent debating whether this or that culture ``deserves a gismu'' or ``must languish in fu'ivla space''. To help defuse this argument, a last-minute proposal was made when this book was already substantially complete. I have added it here with experimental status: it is not yet a standard part of Lojban, since all its implications have not been tested in open debate, and it affects a part of the language (lujvo-making) that has long been stable, but is known to be fragile in the face of small changes. (Many attempts were made to add general mechanisms for making lujvo that contained fu'ivla, but all failed on obvious or obscure counterexamples; finally the general ``zei'' mechanism was devised instead.)

The first part of the proposal is uncontroversial and involves no change to the language mechanisms. All valid Type 4 fu'ivla of the form CCVVCV would be reserved for cultural brivla analogous to those described in Section 15. For example,

16.1)    tci'ile
    Chilean

The second, and fully experimental, part of the proposal is to allow rafsi to be formed from these cultural fu'ivla by removing the final vowel and treating the result as a 4-letter rafsi (although it would contain five letters, not four). These rafsi could then be used on a par with all other rafsi in forming lujvo. The tanru

16.2)    tci'ile ke canre tutra
    Chilean type-of (sand territory)
    Chilean desert

16.3)    tci'ilykemcantutra

The cultural fu'ivla introduced under this proposal are called ``rafsi fu'ivla'', since they are distinguished from other Type 4 fu'ivla by the property of having rafsi. If this proposal is workable and introduces no problems into Lojban morphology, it might become standard for all Type 4 fu'ivla, including those made for plants, animals, foodstuffs, and other things.

Last modified: Mon Jun 27 23:11:01 PDT 2005

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